Manygoats, Betty

Dineh potter Betty Manygoats
Betty Manygoats doesn’t speak English. She has always led a simple life in the remote reaches of the Navajo Nation, so remote she was home-schooled by her father because it was just too far to get her to a school. She was born Betty Barlow in January, 1945. She married William Manygoats 20 years later and they had one son and ten daughters.

At the age of twenty-five her maternal grandmother, Grace Barlow, taught her how to make pitch pots. Shortly after that Betty was teaching Navajo pottery making at Tuba City High School.

Her most important students have been her own children and she still supervises their efforts and encourages them in the art. Breaking with Navajo tradition, her husband joins her in making pottery to help support their family.

Betty also went against Navajo teachings when she first put horned toads on her wedding vases. Traditional Dineh believe it best to avoid the horned toad and that “messing” with him brings bad luck. Being a Christian, Betty doesn’t pay much attention to traditional superstitions. Besides, she’s become rather famous for the horned toads that decorate her pieces.

Betty taught all her children how to make pottery and counts Elizabeth Manygoats, Rose Williams and Louise Goodman among her well-known potting relatives.

Over the years Betty participated in shows at the Museum of Northern Arizona in Flagstaff, the Santo Domingo Arts and Crafts Show at Santo Domingo Pueblo and the Window Rock Arts and Crafts Show in Window Rock, Arizona.

The traditional Dineh wedding vase with a bridge/handle spanning two spouts is Betty’s favorite piece to make (with plenty of horned toads decorating the surface, too), but she is not limited in her scope of imagination or abilities. She uses the widest range of motifs on her pottery of any current Dineh potter and she occasionally paints her figures to add more detail. She sometimes has up to ten pieces at a time spread out on her kitchen table, all hand coiled, decorated and waiting to be ground fired, then coated with pine pitch.

Betty has not always signed her pots, but when she has she usually signs with her initials: BM or BBM (for Betty Barlow Manygoats). On occasion, she has signed her work with her name printed in full, “BETTY MANYGOATS”, as well as in cursive signature style, “Betty B Manygoats”.

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