Duwyenie, Debra

Santa Clara Pueblo potter Debra Duwyenie
Debra Duwyenie is a niece of noted potters Gloria (Goldenrod) Garcia and Lois Gutierrez. She is also married to well-known Hopi potter Preston Duwyenie.

While she mainly grew up at Santa Clara Pueblo, Debra spent childhood summers with grandparents in Manitou Springs, Colorado where they were caretakers of the Cliff Dwellings Museum. Speaking only in Tewa, her grandfather often sang to her and told stories of his days at the Carlisle Indian School and of his adventures as a soldier during World War II.

Taught mainly by her mother (Genevieve Tafoya), her mother’s mother (Petra Gutierrez) and her father’s mother (Dolly Naranjo), Debra started making pottery around 1979. At the same time she worked as the Executive Assistant to the Dean at the Institute of American Indian Arts in Santa Fe until she met Preston and decided to become a full time potter.

Making pueblo pottery is a complex and time consuming process as all Pueblo potters dig and process their own clay. In making her classic Santa Clara red or black pottery, all of Debra’s pots begin with finely sifted clays she has dug from areas along the Rio Grande. For example, buff colored clay comes from the Galisteo Basin south of Santa Fe; her red slip clay comes from an area near Santo Domingo Pueblo. Each of her pieces are hand-coiled, not thrown on a wheel. She also uses a river-polished stone to hand polish her pieces.

Debra’s designs are etched into the exterior surface of each piece by scraping away the polished surface to reveal the buff colored clay beneath: this sgraffito work is done prior to the firing, contrary to most potters’ post-firing etching. Her exquisite carvings are made with sharply pointed scribes cut from the handles of chain-saw files.

Using cord wood plus horse and cow manure, Debra’s pots are ground-fired in an area behind her home: she prefers a fire that increases in temperature slowly and allows the pottery to cool slowly after.

Debra has earned numerous awards for her pottery at events such as the annual Santa Fe Indian Market, the Heard Museum Guild Indian Art Fair & Market in Phoenix and the Eight Northern Pueblos Arts and Crafts Show in Espanola where she took home the Best in Show ribbon in 2010. She’s also earned Best in Class ribbons numerous times, for pieces she made by herself and for collaborations with her husband, Preston.

She’s told us her favorite shapes to make are seed pots and small plates featuring her favorite sgraffito designs: turtles, hummingbirds, avanyus (the mythic Tewa water serpents), feathers, sun-faces, clouds, clan symbols and kiva step patterns.

Debra tells us her inspiration comes from looking at her own pots: she says they tell her “Look at me, design me, put something on me, do something to me.” And as much as she enjoys making pottery, she says she enjoys being a grandmother even more.

Debra’s older work (when she was married to Harvey Chavarria and he was still alive) was signed “Debra Harvey” on the bottom. Her recent work is signed: “Debra” along with Preston’s “Carried in Beauty” hallmark etching. Preston also makes her silver lids.

Some Exhibits that featured work by Debra

  • Images, Artists, Styles: Recent Acquisitions from the Heard Museum Collection. Heard Museum North. Scottsdale, Arizona. July 2001 – January 2002
  • Masters of Living Art, Denver, Colorado. 1990
    Annual Northern Pueblo Artist and Craftsman Show, San Ildefonso, New Mexico. 1989

Some Awards Debra has earned

  • 2023 Santa Fe Indian Market, Classification II-D, Category 801 – Sgraffito, any form, Second Place, a collaboration with her husband, Preston
  • 2023, Santa Fe Indian market, Classification II-D, Category 806 – With added elements (like beads, feathers, stones, etc), any form, First Place, a collaboration with her husband, Preston Duwyenie
  • 2020 Heard Museum Guild Indian Fair & Market: Classification II – Pottery: Honorable Mention. Awarded for collaborative artwork with Preston Duwyenie: “Turtles”
  • 2019 Santa Fe Indian Market, Classification II – Pottery, Division D – Contemporary pottery, any form or design, using Native materials with or without added decorative elements, traditional firing techniques, Category 801 – Sgraffitto, any form: First Place shared with Preston Duwyenie
  • 2017 Heard Museum Guild Indian Fair & Market. Classification II Pottery, Division G – Pottery miniatures not to exceed three (3) inches at its greatest dimension: Second Place. Awarded for collaborative artwork with Preston Duwyenie: “Turtles and Fish”
  • 2016 Heard Museum Guild Indian Fair & Market, Classification II – Pottery, Division C – Traditional – native clay, hand built, carved: Second Place in collaboration with Preston Duwyenie
  • 2014 Heard Museum Guild Indian Fair & Market, Class II – Pottery, Division G – Pottery miniatures, not to exceed 3 inches at its greatest dimension: First Place in collaboration with Preston Duwyenie
  • 2013 Heard Museum Guild Indian Fair & Market, Classification II – Pottery, Division G – Pottery miniatures: Second Place
  • 2011 Heard Museum Guild Indian Fair & Market, Classification II – Pottery, Division G – Miniatures: First Place in collaboration with Preston Duwyenie
  • 2009 Heard Museum Guild Indian Fair & Market, Classification II – Pottery, Division G – Pottery Miniatures not to exceed 3″ at its greatest dimension: First Place in collaboration with Preston Duwyenie
  • 2008 Heard Museum Guild Indian Fair & Market, Classification II – Pottery, Division C – Traditional, Native clay, hand-built, carved: Honorable Mention
  • 1994 Santa Fe Indian Market, Classification II – Pottery: Miniature Pottery Award (Any miniature from Classification II)
  • 1994 Santa Fe Indian Market, Classification II – Pottery, Division H – Non-traditional, new forms, using traditional materials & techniques, Category 1503 – Sgraffito without stones, any other color, including red two-tone: First Place
  • 1994 Santa Fe Indian Market, Classification II – Pottery, Division H – Non-traditional, new forms, using traditional materials & techniques, Category 1503 – Sgraffito without stones, any other color, including red two-tone: Second Place
  • 1993 Santa Fe Indian Market, Classification II – Pottery, Division K – Pottery miniatures, 3″ or less in height or diameter, Category 1711- Sgraffito, all other: Second Place
  • 1993 Santa Fe Indian Market, Classification II – Pottery, Division K – Pottery miniatures, 3″ or less in height or diameter, Category 1711- Sgraffito, all other: Third Place
  • 1990 Santa Fe Indian Market, Classification II – Pottery, Division K – Pottery miniatures, Category 1511- Sgraffito: Third Place
  • 1989 Santa Fe Indian Market, Classification II – Pottery, Division H – Non-traditional pottery, new forms using traditional materials & techniques, Category 1301 – Sgraffito style without stones black or black two tone: Second Place
  • 1989 Santa Fe Indian Market, Classification II – Pottery, Division J – Non-traditional, any forms using non-traditional materials or techniques: Best of Division
    1989 Santa Fe Indian Market, Classification II – Pottery, Division J – Non-traditional, any forms using non-traditional materials or techniques, Category 1411 – Miscellaneous: First Place
  • 1989 Santa Fe Indian Market, Classification II – Pottery, Division K – Pottery miniatures, Category 1507 – Non-traditional forms: First Place
  • 1989 Santa Fe Indian Market, Classification II – Pottery, Division K – Pottery miniatures, Category 1511 – Sgraffito, all others: First Place
  • 1986 Santa Fe Indian Market, Classification II – Pottery, Division J – Pottery miniatures, 3″ or less in height or diameter, Category 1408 – Sgraffito: First Place
  • 1983 Santa Fe Indian Market, Classification II – Pottery, Division G – Non-traditional new forms: First Place
  • 1983 Santa Fe Indian Market, Classification II – Pottery, Division G – Non-traditional new forms: Third Place
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